Saturday, February 21, 2009

1) identification

  • reading Appetite for Self-Destruction and the plays to own, consolidate, expand, control, and leverage the catalogues of music. the creator's looking initially to have interest and be included and always a measuring of loss of some ownership to be swallowed up. and i on the other end, creating piles of material that goes here and here, wonder in what way it finally will makes roads and the precarious plans of keeping it from running a distance without me. a recurring fantasy of my sons making some use of it long without me and pleased they can do whatever they please as it is all theirs.